Vampir0

Hahaha... muito bom... bling bling...

Excelente contribuição para o arquitectura.pt ... obrigado.

:p bem visto onil. Pedro "Maverick", não me recordo de nenhum livro dedicado específicamente a universidades mas, experimenta dar uma vista de olhos no trabalho do Siza. Encontras info aqui -> http://www.cidadevirtual.pt/blau/setubal.html e aqui -> http://www.cidadevirtual.pt/blau/facarch.html. Já é um começo. cya l8r

Caro Clone, seria preferível que se mantivesse, aqui no fórum, o registo do problema que foi levantado e, consequentemente, como foi resolvido. Esclareceria outros que tenham, ou possam vir a ter, o mesmo problema.

Sei que já vai um pouco em cima da hora, mas pode ser que ainda seja útil. Hoje, Sábado, 17 de Outubro, será exibido na RTP2, pelas 21h00, um documentário de Joana Cunha Ferreira sobre o arquitecto Nuno Teotónio Pereira. Este documentário, com o título «NUNO TEOTÓNIO PEREIRA – UM HOMEM NA CIDADE» é o quarto filme da série de documentários da "MIDAS FILMES" para a RTP2 sobre Figuras Relevantes da Cultura Portuguesa. cya l8r

CBS - Cork Block Shelter Designed by David Mares From: Setúbal, Portugal Shelter location: Portugal Date accepted: August 18, 2009 CBS is located at Vale dos Barris. It was designed to be an ecological and living block. In a microclimate that ranges from the dry heat to damp cold, the application of cork is a good way of thermally isolating the shelter and also providing acoustic insulation for study/sleep. The dynamic facade gives visual interaction when in living-studying mode; in rest-sleep mode it closes to provide privacy for its occupant. [ame="http://www.youtube.com/watch?v=er-J9TtW1VY"]www.youtube.com/watch?v=er-J9TtW1VY[/ame] fonte: http://www.guggenheim.org/new-york/education/sackler-center/design-it-shelter/view-shelters/project/517 assunto já referido aqui -> http://www.arquitectura.pt/forum/f62/design-it-shelter-competition-finalista-peoples-prize-13733.html <- Não se esqueçam de votar no David ;)

Olá Fábio, essa questão já foi colocada aqui neste fórum por outros utilizadores, procura por esses tópicos para veres as reacções que obtiveram. Pessoalmente, não considero imprescindível o facto de se ter que ter jeito para desenhar à mão. Muitos professores, provavelmente a grande maioria, considera isso obrigatório mas, na Arquitectura, o desenho serve para comunicar e não para deslumbrar os outros com uma exímia habilidade para o desenho. cya l8r

Calma Soundtracker... não há necessidade de mensagens inconvenientes. DreamSpaces Girl, tal como o Mark disse, o concurso é para arquitectos com idade até 35 anos. cya l8r

Muitos parabéns ao Arquitectura.pt e à sua comunidade. Já temos quase tantos membros como a Ordem dos Arquitectos... hehehe :foto:

:D :D

" Rojkind Arquitectos and Copenhagen architects BIG have won a competition to design a museum overlooking Mexico City. The cross-shaped museum will occupy a hillside above the city and incorporate a large viewing platform on the roof. Cantilevered exhibition spaces provide shade for the social spaces beneath. Packaging, restoration and storage areas will also be open to visitors. The information below is from 
Michel Rojkind of Rojkind Arquitectos: – New Tamayo Museum overlooking Mexico City Michel Rojkind and BIG win competition for cultural museum in Mexico. Set upon a steep hillside in Atizapan on the outskirts of Mexico’s largest metropolis will soon sit the New Tamayo Museum. The building will serve as a nucleus of education and culture - locally, regionally, and internationally – and continue to carry the name of the Oaxacan born artist Rufino Tamayo (1899-1991). The very strong and symbolic shape of the cross is a direct interpretation of the client’s preliminary program studies, defining an optimized organizational scheme for the Tamayo’s visitors and administrators. The main concept of MUSEO TAMAYO EX-TENSION ATIZAPAN is an “Opened Box” that unfolds, opens and invites the visitors inside. Packaging, restoration and storage will serve as additional cultural spaces for visitors to understand and experience the stages that an art piece goes through before it is exhibited. The “open box” exhibits both the art work and the varied processes of a museum. This is a very direct, strong and symbolic project, where the shape works effectively for both internal spaces and external. The cantilevered form enhances the best views above the interior art spaces, while shading the more social type spaces below. Exterior and interior spaces overlap to provide the best environment possible for each function, and optimal climatic performance. Michel Rojkind, Rojkind Arquitectos: 
Understanding that contemporary art spaces pretend to be more important than the art they contain, our proposal arises from the scheme of requirements previously studied by our clients, assuring maximum functionality in each area while focusing on the development of art projects. By enhancing the program and understanding the topography, a balance between form, function and visual impact for this important space was created. Once the functional part was improved, we could give attention to details that make the space not only a culture enclosure, but also a building that understands its surroundings to distinguish itself and transform from a simple form to a powerful symbol, controversial, but ideal to lodge this new space. MUSEO TAMAYO EX-TENSION ATIZAPAN makes the best of the steep terrain allowing the galleries to shade the more social programs below, exterior and interior spaces overlap to provide the best environment possible for each function, and optimal climatic performance. The permeable brick shading façade eliminates or reduces the need for AC and combines good daylight with no sunshine and plenty of natural ventilation. Although it will be the museums symbolic provocation of its form and content that will attract its visitors, once there they will discover that its design, though modest, is intelligently and sustainably planned. Bjarke Ingels, BIG Partner-in-Charge
: When you ask contemporary artists what kind of space they would prefer to exhibit their work in – they almost always describe old industrial warehouses or loft spaces. It is the kind of space where they have their studios, but most importantly the rough structures, with large spans and generous ceiling heights provides them with the maximum freedom of expression. On the other hand the museum director or the mayor might want an icon that to attract visitors. So museum design is often caught in a dilemma between the artists demand for functional simplicity and the museum’s (and architect’s) desire to create a landmark. The cantilevering cross is the literal materialization of the cruciform functional diagram – devoid of any artistic interpretation. MUSEO TAMAYO EX-TENSION ATIZAPAN becomes the embodiment of pure function and pure symbol at the same time. ARCHITECT ROJKIND ARQUITECTOS+ BIG CLIENT PATRONATO TAMAYO SIZE 3.500 M2 LOCATION MEXICO STATUS 1. PRIZE BIG Architects Partners-in-Charge: Bjarke Ingels & Andreas Klok Pedersen Team: Pauline Lavie, Maxime Enrico, Pål Arnulf Trodahl
 Rojkind Arquitectos Partner-in-Charge: Michel Rojkind Team: Agustín Pereyra, Monica Orozco, Ma. Fernanda Gómez, Tere Levy, Isaac Smeke, Juan José Barrios, Roberto Gil Will, Beatriz Díaz, Joe Tarr 
 Structural Engineer: 
Romo y asociados Landscape Design: 
Entorno taller de paisaje Graphic Design: 
Ernesto Moncada Visualization:
 Glessner Group - GermánGlessner " ____________________________________ fonte: aqui Estranha inspiração, não? .... e para mais espaços cruciformes, vejam também aqui. cya l8r

Será que resulta mesmo? ... Há outro vídeo no youtube onde alguém demonstra que isso não resulta. Óbviamente, parto do princípio que este último tenha feito as coisas como deve ser. Se alguém já tiver experimentado, acuse-se. cya l8r

arqueon, sugiro este tópico -> http://www.arquitectura.pt/forum/f29/viseu-pousada-de-viseu-gon-alo-byrne-12589.html <- para colocar as fotografias.