lllARKlll Posted June 15, 2008 Report Posted June 15, 2008 http-~~-//www.worldarchitecturenews.com/news_images/2417_1_OMA1big.jpg OMA unveils mixed-use building for Rotterdam’s shopping district The Office of Metropolitan Architecture and Dutch development company, Multi Vastgoed, today unveiled a concept design for a mixed-use building to be situated in the Coolsingel, the heart of Rotterdam’s shopping district. The project will contain 120,000 sq m of program, including 30,000 sq m of retail space and 70,000 sq m of office, residential, culture and leisure space. The project will also reuse the historic ABN-AMBRO building, an impressive bank building that was the first to be erected in the city center after World War II. OMA’s cube aims to change the identity of the city center from its current identity as a series of tower projects. The base of the cube will consist of five floors of retail space within which will be provided connections to the city’s most important streets: Coolsingel, Lijnbaan, Binnerweg and Beurstraverse. These spaces will also potentially connect to the existing underground station. Public programs as restaurants, exhibition and media spaces are located in the middle and top floors of the cube. From these floors the public will overlook the entire Rotterdam area. The project is scheduled to begin construction in 2001 and open in 2013. Fonte: WorldArchitectureNews Quote
Dreamer Posted June 16, 2008 Report Posted June 16, 2008 OMA’s Coolsingel CubeOMA - Coolsingel Cube, Rotterdam (Copyright OMA) The renderings that OMA presented yesterday of their Coolsingel Cube hardly show anything. It seems the modelers at OMA made an effort of only showing what has been decided and to obscure all problems that still have to be worked out. Just like the renderings presented last week by UNStudio of their renovation of the Post Office along the same street. Renderings have become a tool in the communication of a project. In that communication you can’t promise anything you later could fail to achieve. You better be careful. From the project by UNStudio we for instance have no clue about how the hotel/apartment tower ends in the air. Probably because the client hasn’t yet decided what he wants. He might not even know how high the tower will be. The market will tell. Still you need to show something in order to sell the project to the government, the future users and the public. The municipality of Rotterdam still has to approve both the project of UNStudio and OMA. Then the project needs to be occupied. The project by UNStudio needs a users for their shopping mall and users for their hotel/apartment tower. OMA’s cube also needs users for their 5-story shopping mall, plus users for the offices and apartments above. On top of that all the developer needs to attract users for the cultural spaces. I expect the ratio offices-apartments will be determined by the development of the market. It is all up to the market. These are all basically ‘I don’t know yet’ buildings: The architecture is a container that can hold anything from hotels to offices to apartments. As an architect I suppose you have to design flexible systems that can absorb all kinds of programmatic changes, without having to rethink the whole building every once in a while. It seems the architect is torn between having to come up with a form that seduces all parties without making even a suggestion about the definitive program. The design has to compel without even hinting at a program. The building has to talk, without saying anything. Sculpture is the only way out of that dilemma. Preferably abstract sculpture. Iconography is way the specific. It might actually mean something! Yesterday a reporter from the national television asked Koolhaas what he would think when the building would be nicknamed “De kaas van Rem Koolhaas“, the cheese of Rem Koolhaas. He thought a moment about the question, and then answered: “no comment.” When the reporter insisted he would give an answer, he got a little agitated: “I said: no comment.” The suggestion that this 85 meter high abstract sculptural building could be summarized by a folklore cheese cube that people in Holland ate at parties in the eighties is an unspeakable humiliation. I feel for Rem Koolhaas and his team, I do. The incident makes me laugh too, as I also think that the application of iconography would probably had avoided the question, even turned it around into a: “So it is a cheese cube!” Rem, if you do sculpture, you get hurt.OMA - Coolsingel Cube, Rotterdam (Copyright OMA)OMA - Coolsingel Cube, Rotterdam (Copyright OMA)OMA - Coolsingel Cube, Rotterdam (Copyright OMA) Link:http://www.eikongraphia.com/?p=2460 Quote Não é incrível tudo o que pode caber dentro de um lápis?...
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