Almadenejos, Espanha | capela Valleaceron | S-M.A.O.

[Dreamer]

Capela Valleaceron

arquitectura: S-M.A.O. - Sancho-Madridejos Architecture Office
localização: Almadenejos, Ciudad Real, Espanha
construção: 2000/2001
fotografia: Roland Halbe






A capela Valleaceron é o resultado de um estudo de manipulação formal por um sistema de “dobragem” de uma caixa rectangular.

No alto de uma pequena colina, assume-se na paisagem como um ponto de referência em relação à envolvente e particularmente em relação à entrada do terreno, da qual dista cerca de 2Km.

A concepção formal leva a uma forma depurada de ornamentos, onde apenas se destaca uma cruz na parede de fundo, não existindo sequer qualquer elemento de iluminação artificial.

A luz natural torna-se assim um dos pontos fulcrais do edifício, assumindo-se como um segundo material de construção espacial, em contraste com as paredes e cobertura de betão armado, um elemento frágil, mutável, instável que tanto domina o espaço, como desaparece e o deixa na penumbra.

The chapel at Valleaceron is part of a larger project undertaken by the Madrid based architecture team of Sol Madridejos Fernandez and Juan Carlos Sancho Osinaga. The architects’ wish to respond to the natural settings with their trademark planar forms resulted in a design that cuts planes, or seemingly folds them, into sharp triangular surfaces that are like sculptural projections on the horizon.

It feels as if any surface could act as another, but their genius is in deciding how to use each in a subtle play of angles that tricks the eye into seeing single surfaces in many and vice versa.

There is no artificial light and only a simple Cross and single image used as a focal point. The chapel is a centre for light and for the trapping of natural light as well as shadows and other dramatic elements of the open sky. The form seems to wrap itself around the streaming sun, acting as a light collection in a handkerchief fashion.

Their method for the chapel is singular, the light, instead of being drawn in, in great waves, is artfully framed and focused.

According to Sancho and Madridejos, this is not purely for atmosphere. They explain that the ‘trapped direct light’ is an inherent part of the design, functioning as ‘an additional plane’ and taking on ‘the role of a second material’, a material, they add, ‘that contrasts with the concrete, being fragile, changing, mobile, unstable; dominating or vanishing’. While many spiritual structures have a special relationship with light, this determination of the natural element as intrinsic to the structure also demonstrates the architects desire to connect with the natural environment, especially as atmospheric changes are so readily perceptible on the hillside setting.

The chapel is private, a place meant for Roman Catholic worship, but clearly the clients have been able to exchange the trappings of ceremony and tradition in favour of reverence for light and earth.

in, “New Sacred Architecture” por Phyllis Richardson

Link:
http://www.sancho-madridejos.com/

[Dreamer]